Buyer’s Guide
Whether it’s your first fine art print purchase, you’re looking to add to your existing collection, you’re buying that extra special gift or maybe just because it’s an ‘I-was-there’ memory, I want your 80srockshots experience to leave you happy and excited by your purchase.
Collecting fine art photography doesn’t have to be intimidating – I will always be here to answer any questions or concerns – but first a bit of background:
Before the introduction of digital sensors, I shot on colour transparency film and B/W negative film – both with great contrast producing sharp images. Today’s sensors, although having a large latitude, need to be post produced to get the best out of the image.
I had no control in terms of software then, so just shot and hoped that I got a cracker (no instant review). Film ISO/ASA was maxed at 400 and grain increased exponentially as one used a different film or at times pushed the processing time to give an extra stop. Had to use fast glass to get the result.
Today all these have now been scanned at high resolution, before being retouched to remove the detritus that abounded in the processing (crap in the dryers etc) – back in the day the tranni was what we got!
Limited Edition
All our images are limited to 50 prints in each size.
Each artwork is accompanied by a certificate of authenticity showing the date and location of the shot, each carrying its own edition number and hand-signed by Nik.
Print Sizes
We offer three sizes for landscape or portrait prints: Standard, Large or Extra Large.
Portrait prints:
Standard
Large
Extra Large
Landscape prints:
Standard
Large
Extra Large
The maximum printed image area (w or h) is 1” smaller than the actual paper size to provide space for matting / framing and to accommodate Nik’s signature.
When viewed full screen, all our images are displayed with their relevant crop applied proportionally, where the largest dimension (width or height) will match the maximum image area of your chosen paper size.
Custom Print Sizes
Custom print sizes or larger sizes than those available on this site may be available by special order. Please contact us for quotes on specific images, and we’ll help you find the best print for your space.
Print Production
Framing
We do not offer framing because we believe that every image deserves individual consideration to determine appropriate framing for its chosen environment.
To achieve maximum longevity, we recommend using only UV filtering glass or plexiglass when framing your print. Use only acid-free museum board for matting and backing. We recommend a matt of at least 3 inches (8 cm) all around the print, with an extra 20% at the bottom.
We recommend using thin black aluminium frames for our prints, if not make sure the frame you choose is sturdy, and, if it is made of wood, be sure it does not contain stains or dyes that may emit harmful chemicals that will damage your print. Avoid mounting your print with adhesive to any substrate. Adhesives and other mounting materials can be harmful to the life of the print.
Display & Lighting
Art has a transformative power. It enhances and enriches the spaces where we live and work. Carefully consider the placement of your art to optimise viewing pleasure and impact –say goodbye to bare walls!
Choosing proper lighting is an important part of exhibiting your art for best effect. We recommend using LED lighting. It has a colour temperature that is closest to natural light and is ideal for illuminating most images. LED bulbs produce minimal heat and emit virtually no damaging ultraviolet radiation, which makes them a perfect choice for showcasing valuable artwork.
Care, Handling & Archiving
Care & Handling
To retain its pristine condition for many years to come, there are some important points to keep in mind when handling, framing or archiving your fine art print.
Photographs are easily damaged, but with some simple precautions your prints will look will be enjoyed for many generations to come. Treating your prints as if you were a museum curator is also the best defence in protecting their financial value.
- Handle your print carefully from the edges with clean, dry hands or – if possible – white cotton art-handling gloves
- Prints should be stored flat, separated with acid-free tissue paper and away from anything that might damage their surface
- Keep your prints in a stable environment, away from fluctuations or extremes of temperature or relative humidity
- Always frame your prints properly, using archival-grade materials and processes
- Never hang or display your prints in direct sunlight, strong indirect daylight or under fluorescent lighting
- Insure your prints against damage or loss through your renter’s or homeowner’s insurance.
Archiving
Optimal storage conditions for most photographs are a temperature of 20°C and relative humidity in the range of 30-40%.
Avoid storing fine art prints in attics or basements.
Keep all photographic materials in enclosures that protect them from dust and light and provide physical support. Chemically stable, acid-free plastic or paper enclosures are recommended.
Prints should be kept away from any harmful light source by storing it in an acid-free, durable, photo-safe box.